Nasrin is defined by an allover boteh composition, arranged in alternating directions and partial offset rows that establish rhythm without rigidity. Each boteh contains its own interior germinating plant, introducing layered symbolism and subtle narrative variation across the length of the runner.

The execution is notably refined. Borders carry as much nuance as the field itself: a primary band of serrated leaves and top-view floral forms is framed by an outer minor border of reciprocating bulb-and-germination motifs. These elements work together to guide the eye forward, reinforcing the runner’s elongated movement.

Color is exceptionally complex and expressive. A striated green ground shifts through ocean green and lime, interwoven with cobalt and navy blues, ivory, terracotta, madder-root red, chocolate brown, and faded royal blue. Abrash appears organically, creating depth and softness rather than contrast.

The result is a runner that feels alive and evolving—richly patterned yet never static, ideal for hallways, stair landings, or layered interiors where detail and history are meant to unfold gradually.

Malayer rugs are woven in western Persia and are known for their expressive drawing, dense allover patterning, and village-level interpretation of classical Persian motifs.

In the late 19th and early 20th centuries, Malayer weavers frequently favored boteh-based fields arranged in repeating but flexible formats, allowing room for improvisation and personal expression.

Antique Malayer runners from this period are especially prized today for their balance of structure and spontaneity—pieces that feel historically grounded while remaining visually dynamic.

Nasrin is a Persian name associated with wild roses and delicate blossoms, often used poetically to suggest natural beauty and quiet resilience.

The name reflects this rug’s character: repeating botehs that bloom across the field, each carrying its own interior life rather than repeating mechanically.

Nasrin is a piece defined by growth and continuity—ornate yet organic, richly layered, and deeply rooted in tradition.

• Primary material: Wool
• Construction: Hand-knotted
• Dye method: Traditional hand-dyed yarns with pronounced abrash
• Edges: Original side cord selvages, intact or professionally restored
• Finish: Fully secured sides and ends

This antique Persian Malayer runner is in good, stable condition consistent with its age and use. The wool pile shows mostly even wear down to the knot heads, with small isolated areas of foundation faintly visible.

Most of the original side cord selvages remain intact or have been professionally restored. The sides and ends are fully secured.

There is minor contour to the shape with gentle bowing, which falls within normal margins for a runner of this age and construction.

The rug has been recently professionally cleaned and is ready for immediate in-home use.

Vacuum gently using suction only. Avoid beater bars and rotating brushes.

Use a quality rug pad or runner underlay to help correct minor contour and reduce movement.

Rotate end-to-end periodically to encourage even wear. For deep cleaning, consult a professional rug cleaner experienced with antique hand-knotted rugs.

Is this runner one of a kind?
Yes. Each antique Malayer runner is unique in drawing, coloration, and proportion.

What defines Malayer runners?
They are known for expressive boteh patterns, dense allover fields, and village-level individuality.

Is the runner ready for use?
Yes. This runner has been professionally cleaned and is ready for immediate placement.